Time Pieces is Marina Eckler's MFA Thesis from Maine College of Art and deals with the issues, conflicts and mechanics of motherhood and art practice:
While scholars debate about whether or not we’ve entered a period of “post-feminism” or “fourth-wave feminism,” it can be argued that the art practice of working mothers requires a redefinition of the conditions of making art in the context of a post-wave feminism that presumes that the “situational concomitants of intelligence and talent generally, not merely of artistic genius” must always take the limits of time and money into account. I posit that a conceptual, de-centered, post-studio practice of “cultivated distraction” and interdependence should be the very “situational concomitant” by which the greatness of post-wave feminist art must be considered and judged.
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